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King's X is an American rock band that combines progressive metal, funk and soul with vocal. Tabor also performed some guitar parts on the album and both he. It was the group's first album to crack the U.S. Top 100, with the help of the. As a commercial bumper instrumental favorite of Paul Shaffer's CBS Orchestra.
Christopher Dell- The World We Knew (Celebrating Bert Kaempfert with Ladi Geisler) Жанр
Eric Schafer. Eric Schafer 3gp, Mp4, HD Mp4 video, Download Eric Schafer 3gp Video, Download Eric Schafer Mp4 Video Download, Download Eric Schafer HD mp4 Video, Eric. Larry Gray, Guitar/Flute/Composer Whitney Ashe, Piano. Music Building Auditorium. Graphic design the new basics pdf download. Student Recital - Eric Mendoza, voice. Shivaay full movie download 2016. Graduate Recital - Erik Swanson, jazz guitar. Murray Schafer's String Quartet No. Goya was of course a loner, but Jansen looked for a number of allies to help him exploit the spectrum of colours as fully as possible. He began developing and building on the tracks in his trio with drummer Eric Schaefer and bassist Andreas Edelmann, but he soon noticed that something was missing. Structural ideas reached out like Goya's chimeras.
: Contemporary Jazz Страна-производитель диска: Germany Год издания диска: 2007 Издатель (лейбл): ACT Music Номер по каталогу: ACT 9449-2 / Categories: Crossover Аудио кодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:56:57 Источник (релизер): собственный рип с оригинального Audio CD Наличие сканов в содержимом раздачи: да
Треклист: 1. Don't Talk To Me (05:56) 2. Danke Schoen (03:55) 3. A Swingin' Safari (07:41) 4. Strangers In The Night (05:58) 5. Afrikaan Beat II (02:49) 6. Wiedersehn (06:28) 7. It Makes No Difference (04:37) 8. Spanish Eyes (03:13) 9. Afrikaan Beat I (02:48) 10. Geh nicht vorbei (I Can't Help Remembering You) (04:53) 11. The World We Knew (Over And Over) (04:25) 12. Love After Midnight (90 Minuten nach Mitternacht) (04:03) All composition by Bert Kaempfert, arranged by Christopher Dell Доп. информация: Musicians: CHRISTOPHER DELL - vibraphone LADI GEISLER - guitar CHRISTOF LAUER - saxophone CARSTEN DAERR - piano
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'Dell's extraordinarily high level of invention ensures that this is an album I’ll be returning to again and again' JAZZWISE, UK
Everybody knows Strangers in the Night, one of the greatest hits of the 20th century. Yet, hardly anybody knows that the German composer Bert Kaempfert wrote the song. One can find his name credited next to a great number of world-famous titles. Kaempfert made music history and created a distinctive style with titles like Spanish Eyes, Danke Schoen, A Swingin’ Safari or the aforementionedStrangers in the Night, that facilitated Frank Sinatra’s furious return to the top of the charts in 1966. The Hamburg-born composer, arranger and big-band leader Bert Kaempfert (October 16th 1923 – June 21st 1980) discovered the Beatles and produced their first recordings, he arranged for Elvis Presley, and helped Al Martino to his comeback with Spanish Eyes. His incomparable sound – dominant “knack-bass” figures (Ladi doubling the bass line an octave up on muted guitar), swinging rhythms, horns and a carefully created luminous background of choir and strings – created a stir all over the world in the early 1960’s. All the greatest stars of American showbiz were crazy about Kaempfert’s work. Wayne Newton adorned himself with Danke Schoen; the great Nat King Cole celebrated a triumph with L.O.V.E. Jack Jones (Lady), Dean Martin (I Can’t Help Remembering You), Sammy Davis Jr. (Lonely Is The Name), but also Ella Fitzgerald, Shirley Bassey, Sarah Vaughan, Peggy Lee, Caterina Valente, Nancy Wilson – all of them had celebrated success with compositions by Bert Kaempfert. His hits have become evergreens. In the year 1993, Kaempfert posthumously received the greatest honour that can be bestowed upon a composer: the acceptance into the American Songwriter’s Hall Of Fame. Christopher Dell about THE WORLD WE KNEW Kurt Weill, Hanns Eisler: the most noteworthy German songwriters of the 20th century. Here is another one: Bert Kaempfert. His melodies, atmospheres and his - then revolutionary - concept of sound and space have moved millions of listeners worldwide. There is a unique quality to each of is compositions, that has fascinated me as a musical “problem” to be solved. Another musically interesting aspect of his work was Kaempfert’s way of interpreting music as a design object. In approaching the music, it was important for me that we transport the compositions into a contemporary context. To achieve this, we tried to not let the aspect of space (Kaempfert) or structure (jazz) take priority; rather we focused completely on colour. This impressionist approach allows our music to become a statement independent of the original. The pieces seem to become excavated monuments from far-gone days. They have the morbid charm of a ruined building, the beauty of which becomes apparent if we take a second look. The voices and the atmosphere that once filled these rooms with life sound out to us from its walls. The title “The World We Knew” takes on a whole new meaning in this context, and contributes an inner unity to our conception of a “considerate archaeology”. There is one musician whose sound left its mark on Kaempfert’s music: guitar player Ladi Geisler. I’m very pleased that he contributed so much of his creativity and elegance to this recording.
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EAC extraction logfile from 14. February 2011, 21:05